Growth
Monday, December 13, 2010
Sunday, December 12, 2010
Painting
Painting 1950-1980’s
Abstract Expressionism- ACTION PAINTING
Jackson Pollock “Jack the Dripper”
DOGMATIC
BRICE MARTIN
The painted word- tom wolfe
Pop Art
Hard Edge Op
Pop
Andy Warhol
Feminism
Before
Käthe Kollwitz
Georgia OKeefe
Bauhaus
Annie Albers
Mar
Frida Kahlo
Louise Bourgeois
Louise Bourgeois
Eva Hesse
Lee Bonteceu
Helen Frankenthaler
Louise Nevelson
Agnes Martin
Marxist critic John Berger had concluded 'Men look at women. Women watch themselves being looked at'.
1970s
first generation feminist art
Judy Chicago
Nancy Spero (war)
Miriam Schapiro
Faith Ringgold
Adrian Piper (race)
Linda Benglis
Elizabeth Murray
Performance
Carolee Schneemann, Hannah Wilke
Mary Kelly
Critics
Lucy Lippard
art historian Linda Nochlin, 'Why Have There Been No Great Women Artists?'
LATE 1970
Cindy Sherman
Yoko Ono
Yayoi Kusama
1980s
arxist-inspired feminist theory that marked the 1980s
Cindy Sherman
Jenny Holzer
Sherrie Levine
Kiki Smith
Barbara Krueger
Lorna Simpson
Mya Lin
The Guerilla Girls
Judy Pfaff
Polly Apfelbaum
1990s
Janine Antonio
Jenny Saville
Kara Walker
Nancy Davidson
Jessica Stockholder
Rachel Whiteread
Tracey Emin
Lecture
Dada | SURREALISM | |
Post WW1 | FEATURES | |
Some early surreal artists | Less political | |
max ernst | New pyschological | |
rene margritte | theories of sigmund freud | |
salvador dali | 1899-The interpretation of dreams | |
glorgio de chirico | Access to the subconscious mind | |
man ray | ||
jean arp | ||
Color | ||
Hue- location in the color wheel | ||
Value- Lightness or darkness | ||
Saturation- distance from neutral gray purity of color experience | ||
INTENSITY,CHROMA,RICHNESS | ||
ROY G BIV (RED,ORANGE,BLUE,INDIGO,VIOLET) | ||
CONTRASTS | ||
feminism
Feminism – first wave
1. Essentials -- identity
a. The personal
b. The body
c. Sexuality
d. Vaginal iconography
e. Discover iconography/images that represented essential nature of woman (from woman’s view point not mans)
f. Affirm/celebrate female attributes
g. Distinguish art of women from men -- Separate art?
2. material/technique
3. activism (tended towards performance)
a. urgent need to find voice
b. voice concerns as women (from the uniquely woman’s view)
c. reveal the history and nature of the repression of women
d. reveal discrepancies between stereotypical images of women they encountered in art and media vs what women actually felt and experienced
e. undertook to counter male representation of women through invented
f. engage public more immediately
g. create “sisterhood”
4. distinguish art of women from men
- How is a woman's gaze different from a man's? How does that difference influence the ways in which the two genders view the world? And how they view art?
- What constitutes obscenity and pornography? Where do they come from? What are their results? Are they always transgessive? What place do they have in art?
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