hybrids

Stencils

Painting

Painting 1950-1980’s

Abstract Expressionism- ACTION PAINTING

            Jackson Pollock  “Jack the Dripper”

DOGMATIC

BRICE MARTIN 

The painted word- tom wolfe

Pop Art

Hard Edge Op

Pop

Andy Warhol

Feminism

Before

Käthe Kollwitz

Georgia OKeefe

Bauhaus

Annie Albers

Mar

Frida Kahlo
Louise Bourgeois

Eva Hesse

Lee Bonteceu

Helen Frankenthaler

Louise Nevelson

Agnes Martin

Marxist critic John Berger had concluded 'Men look at women. Women watch themselves being looked at'.

1970s

first generation feminist art

Judy Chicago

Nancy Spero (war)

Miriam Schapiro

Faith Ringgold

Adrian Piper (race)

Linda Benglis

Elizabeth Murray

Performance

Carolee Schneemann, Hannah Wilke

Mary Kelly

Critics

Lucy Lippard

art historian Linda Nochlin, 'Why Have There Been No Great Women Artists?'

LATE  1970

Cindy Sherman

Yoko Ono

Yayoi Kusama

1980s

arxist-inspired feminist theory that marked the 1980s

Cindy Sherman

Jenny Holzer

Sherrie Levine

Kiki Smith

Barbara Krueger

Lorna Simpson

Mya Lin

The Guerilla Girls

Judy Pfaff

Polly Apfelbaum

1990s

Janine Antonio

Jenny Saville

Kara Walker

Nancy Davidson

Jessica Stockholder

Rachel Whiteread

Tracey Emin

Lecture

Dada		SURREALISM
Post WW1		FEATURES
Some early surreal artists		Less political
max ernst		New pyschological
rene margritte		theories of sigmund freud
salvador dali		1899-The interpretation of dreams
glorgio de chirico		Access to the subconscious mind
man ray
jean arp
Color
Hue- location in the color wheel
Value- Lightness or darkness
Saturation- distance from neutral gray purity of color experience
INTENSITY,CHROMA,RICHNESS
ROY G BIV (RED,ORANGE,BLUE,INDIGO,VIOLET)
CONTRASTS

feminism

Feminism – first wave

1.   Essentials -- identity

a.    The personal

b.   The body

c.    Sexuality

d.   Vaginal iconography

e.    Discover iconography/images that represented essential nature of woman (from woman’s view point not mans)

f.     Affirm/celebrate female attributes

g.    Distinguish art of women from men -- Separate art?

2.   material/technique

3.   activism (tended towards performance)

a.    urgent need to find voice

b.   voice concerns as women (from the uniquely woman’s view)

c.    reveal the history and nature of the repression of women

d.   reveal discrepancies between stereotypical images of women they encountered in art and media vs what women actually felt and experienced

e.    undertook to counter male  representation of women through invented

f.     engage public more immediately

g.    create “sisterhood”

4.   distinguish art of women from men

1. How is a woman's gaze different from a man's? How does that difference influence the ways in which the two genders view the world? And how they view art?
2. What constitutes obscenity and pornography? Where do they come from? What are their results? Are they always transgessive? What place do they have in art?

Module Madness

Inflatable

this took alot of smarts and hard work but i enjoyed every minute of it and wouldnt trade the experience

Module Madness (process)

So I totally was at a lost with this project. I wasn't sure what two items to use or what can i get the most of what would go together. All that was running through my head at once. And I'm sure many of you could relate to the pickle I was in. So I start thinking and I realize my mom has so much crap i could totally use. So I go home and I guess you can say dumpster diving instead of a dumpster my house. Then I came across old cassettes and cd's that no one is going or will ever use. Thats when the idea hit me that the theme is the transition from old to new kind of thing. Then we did an exercise in class and I loved the way someone constructed them together and I just went with it.